Completely clothed and completely nude, this life-size art piece is cast class. I believe the dress is very old, originally owned and worn by a pianist. The “body” is that of a contemporary woman, that word in quotes because this piece is hollow.
It is translucent and seems to glow. Unusual, but lovely, too. I really wanted to share this one with you.
I saw this beautiful piece at the Palm Springs (California) Art Museum, in Contemporary Glass 2012/2013. You can see the exhibit until November 3, or click the link below to see some of these works, and how the cast glass piece pictured above stood out, looking like a classical sculpture in a gallery of contemporary pieces. Click on the thumbnails to enlarge each photo. All of the pieces look very different from each other:
A global war with staggering loss of life. The very air became a battlefield, with airplanes, invented not long before, turned into death machines. An influenza epidemic killed 50 million worldwide.
Young American men returned from war, and women from military offices and civilian wartime industries. They worried that another war or epidemic could end their lives, so many of them did not want to live the quiet, seemingly dull, lives of their Edwardian parents.
The young were hyped up from the war, accustomed to the anxiety of wartime. Popular music and dances became more energetic. Clothing became relaxed.
This zeitgeist (spirit of the era) is shown well in the recent movie “The Great Gatsby.”
To add to the woes, Prohibition spread nationwide in 1920.
In the 1920s, the Jazz Age, women changed.
– They voted,
– Imitated boys and men by compressing their bust with undergarments and cutting their hair short,
– Wore makeup and smoked cigarettes openly, actions that had previously been associated with prostitutes,
– Wore short skirts to reveal their legs, which had not been done for thousands of years.
Imagine how the older generation felt about women’s behavior and appearance. These two bridal gowns, worn before the 1920s, show rising hemlines.
The 1913 wedding dress on the right has a peekaboo effect. The underskirt stops above the ankles.
The bridal gown on the left is later, during the war. The skirt is short and a detachable train fastens at the shoulders.
In the 1920s, women used undergarments to deemphasize their bust and hips, just the opposite effect of the old-fashioned corsets. The goal was an androgynous figure, so dresses no longer nipped in at the waist, as shown in the gown at the right.
This gown has embroidered lace. We think of the 1920s as the era of beaded dresses.
The Pasadena Museum of History, where over 40 antique and vintage bridal gowns are on display until July 14, has three gorgeous 1920s beaded bridal gowns. One is a pastel color.
Jazz-Age brides often wore elaborate headdresses or caps. Here is a photo of Dorothea Underwood. There are closeups of her dress at the end of this post.
Dorothea’s dress is sleeveless, but she wore gloves past the elbow, revealing her upper arms. Although the dress is short, she wore a long train, which you can see near the toes of the little girl in the wedding party. Dorothea’s bridal cap is attached to, or part of, a long, filmy veil.
Her silk gown has faux pearls, some of them clustered and surrounded by beads.
Her shoes are silk satin with faux orange blossoms.
Come back on Friday for wedding dresses of the 1930s.
“Complex works of art,” curator Sheryl Peters said of wedding gowns dating from about 1906 to 1915.
In this, our first dress, the lace around this collar is the most delicate I have ever seen. It looks as if it would dissolve if I breathe on it.
Silk cord runs just above it, at the top of the collar, and also below the lace. It is looped.
That same silk cord is pulled through net elsewhere on this dress to make elaborate designs on the bodice, cuffs and the belt.
And around the hem.
Long gloves would have been worn with all of these dresses, extending under the sleeve.
This bridal gown was worn in 1910, with the jacket over it.
This silk gown was worn by bride Louvena Grace Dolson in 1911. The long, narrow pleated portions, like the one running down the center of this dress, were made on a separate piece of silk. That piece of silk was pleated and stitched, then cut into strips. The seamstress then sewed lace trim all around each strip of pleated silk before she inserted them into this opulent creation.
This 1914 gown has faux orange blossoms. Orange trees bear fruit and bloom at the same time, and so are a symbol of fertility. This gown has a beautiful train that is pleated when viewed from the side.
When I give tours of “I Do, I Do, Pasadena Ties the Knot, 1850-1950,” patrons ask which of the forty-two dresses is my favorite. My favorite, pictured below, was worn in 1915 by Margaret Whitney Collins and almost fifty years later by Julia Collins Haselton. I would have worn this dress if I’d had the chance.
Swags and big tassels of faux pearls.
The train has a handle on it — you can see it at the top of this photo — so the bride could hold up the train at the reception while she walked. And danced with her groom.
These and many other beautiful dresses are on display at the Pasadena Museum of History, only until July 14. My next post will feature beaded wedding gowns from the 1920s, and the following post will highlight dresses from the 1930s in historical context.
Here’s information on seeing this exhibit in person:
The paintings in Paradise Found: Summer in California, evoke a sunny natural landscape — the sparsely populated Southern California of the past. Spring brought fresh, green grass, orange poppies and purple lupines, shown above. Even now, the hills and mountains turn green this time of year.
Beverly Hills is no longer known for its natural landscapes.
Around 1900, people stepping off ships near Los Angeles were in luck if they arrived in springtime. They could see, forty miles north, fields of California poppies shimmering orange in the sunshine, on a gentle slope rising above Pasadena and just below mountains.
Please DO Touch. Museums encourage visitors to handle and look through antique stereoscopes, to see photos rendered in 3-D.
In the age before radio and television, the stereoscope was very popular. Families had one in the parlor, along with many black-and-white photos, two identical photos on a single card. They bought the cards with the double images on them.
If you see one in a museum, pick it up and pull the photos toward or away from you until the image pops — they may be black and white photos, but the 3-D effect is vivid. Many of the photos are landscapes with depth, like the photos here. The one directly above shows a river in a canyon.
Most folks could not travel far, but a collection of these images from many places would be fun, and your friends would have a different collection in their home.
In the last blog post, I wrote about Frank Capra’s desert writing retreat, where he hit the jackpot, the five greatest Academy Awards, with this movie. Here are two clips from this romantic comedy, It Happened One Night.
Here’s the link to the famous hitchhiking scene. It was filmed in the Great Depression. Do you know the reference to farmer’s daughter? He means a sexy joke.
Clark Gable and Claudette Colbert took home Best Actor and Best Actress Oscars. She plays a runaway heiress, and he portrays a down-on-his-luck newspaperman following her for a big story.
In the following scene, they pretend to be married so they can split the cost of a room. Remember, it is the Great Depression. I heard Gable created a sensation when he took off his shirt and revealed his bare chest. Men wore undershirts at the time. Don’t miss this charming scene.
Palm Springs is the most famous city in the Coachella Valley. Today, in early February, the forecast is in the mid-70s, which is about 25 Celsius, and visitors flock here to play golf and tennis in the pleasant winter weather.
It’s warmer and drier than winters in Los Angeles, about 150 miles away, and early Hollywood stars made the trek out here in the days before the interstate and airport, not to work but to enjoy themselves by playing the same sports we do today, dancing in the evenings, and relaxing.
John Frost needed this climate for his ill health. He often painted Mt. San Jacinto, which borders this valley near Palm Springs. He painted the one below in 1926.
This same year, the La Quinta Hotel was established nearby (no connection with the chain of the same name). It attracted old-time Hollywood stars and is still open for business, 87 years later. I’ll write more about the La Quinta resort next Wednesday. Here’s a photo below.
Enjoy your week. If you are busy, you might take a little time for yourself and curl up with a book. Make your own warmth with a blanket over your legs and a cup of tea. Next Wednesday we’ll go back to the desert and the 1920s and 30s.
Sometimes you just get lucky. The investors of the first theater in Hollywood selected an Egyptian theme. Five weeks after it opened its doors, King Tut’s tomb was discovered, and everything Egyptian became the cat’s pajamas. The year was 1922.
One of the men who built the Egyptian was Sid Grauman, who would later build Grauman’s Chinese Theater, where the handprints and footprints of the stars attract visitors today. Sid was a marketing genius, in my book. The movies shown at the Egyptian were world exclusives for six months, while the rest of the country eagerly waited for them to come to their local movie houses.
While the feature-length silents played in this glamorous venue, their titles shone in lights in front of the courtyard. Today the lights spell the name of the organization that took this decrepit building where homeless people slept, restored it, and presents a wide variety of movies there today. Picture the sign below with “Robin Hood” or “Thief of Baghdad,” brightly lit at night.
Sid Grauman also rolled out the red carpet for the stars at the movie’s premieres. Long, red carpets had been used similarly in ancient times, but Sid was the first to use them for movie stars. Now planters with palm trees take up much of the courtyard, but in the Twenties, there was room for fans to star-gaze.
The flappers and their fellas paid five dollars a head for the premiere, and between seventy-five cents and a dollar-fifty for an everyday showing. With prices that high, it must have been a special occasion calling for dressing up.
As the movie-goers entered the auditorium, singers standing in theater boxes serenaded them as they found their seats. Then live actors performed a prologue or short piece with the same theme as the movie.
If you visit Hollywood, or if you live nearby, relive the history of movies by watching the wonderful documentary,”Forever Hollywood,” at the Egyptian, Hollywood’s first movie theater.
January 1, 2013 marks the 150th anniversary that the Emancipation Proclamation went into effect. This declared permanent free status for all slaves in Confederate states at war with the U.S. These slaves were not liberated until the Union Army regained control of their area. Later, freedom for all was added to the constitution in the Thirteenth Amendment after a fight for it to pass Congress, which was dramatized in the recent movie Lincoln.
Slaves gathered in churches on that New Year’s Eve to wait until midnight. This link mentions this as well as the slaves’ previous New Year’s Eves, which were sometimes sad occasions: